Family is purest form of politics for innocent child
Split a chemical bond, and a living cell gets fuel. Separate a mother and child, and a plot gets a heartbeat. These laws of nature also can supply a narrative. In this story, as in the earlier "The Italian" and "The Butterfly," unlikely helpers enable children to reunite with their mothers.
In "The Year My Parents Went on Vacation," Brazil's candidate for this year's best foreign film Oscar, the parents of 12-year-old Mauro (Michel Joelsas) go "on vacation" (which in Brazil in 1970, the movie's setting, means "underground" or "internal exile"). In a nervous rush, his parents, who are political radicals, drop him off outside his grandfather's apartment building in Sao Paulo. They promise to be back in time for the upcoming World Cup soccer championship.
Mauro goes upstairs and waits all day by his grandfather's door, kicking his soccer ball in the hallway. But he discovers that Motel, his grandfather, died of a heart attack at his barbershop that very day. There's no way to reach the boy's parents, who are on the run from Brazil's right-wing military dictatorship.
In 1970, the film's director, Cao Hamburger, was 8 years old when his own parents "went on vacation." His father was a German Jew, and his mother was an Italian Catholic. That mix is key to the humane tone of the film, which is set in the multi-ethnic neighborhood of Bom Retiro.
Shlomo (Germano Haiut), an elderly Jewish neighbor, starts looking after the boy. Although Mauro has Jewish ancestry, he has not been brought up in that tradition. Amusing frictions ensue as this odd couple cohabit. Mauro is not used to cold showers and fish for breakfast.
But he is charmed by another neighbor, Hanna (Daniela Piepszyk), an extroverted entrepreneur who sells tickets to local boys who line up to sneak peeks into the changing rooms at her mother's dress shop.
"The Year My Parents Went on Vacation" warmly chronicles Mauro's acclimation to a new milieu. He makes eyes at waitress Irene (Liliana Castro). Hannah rolls her eyes and points out: "She's old enough to be your mother." Irene's boyfriend, who's part black, is a goalie on a local team. (That's the position young Hamburger played, too.) When Mauro sees his new hero cross himself on the field, he repeats the rite while sitting in the stands but gets smacked by Shlomo for his indiscretion.
Back at Irene's cafe, the whole neighborhood gathers to watch soccer matches on TV. An Italian comrade of Mauro's dad proclaims: "If Czechoslovakia wins, it will be a victory for socialism." Meanwhile, Shlomo secretively contacts a radical group and gets arrested himself.
The weaker scenes deal with the political backdrop. Hamburger intercuts closeups of dancing feet at a bar mitzvah with closeups of the stamping hooves of police horses in a raid elsewhere in the city. This was done far more effectively in "Some Mother's Son," when director Terry George intercut the legs of Irish dancers with the legs of IRA guerrillas.
"The Year My Parents Went on Vacation" gives us a boy's-eye view of a turbulent Brazil in 1970. Pele and soccer goals mean more than Che or slogans spray-painted on walls. For a 12-year-old, reuniting your family scores higher than overturning a repressive regime.
http://www.suntimes.com/entertainment/movies/854537,MOV-News-year21.article#

